PROCESS IN MAKING A BUST, ACCORDING TO TRADITIONAL TECHNIQUE

It all starts with taking a series of photographs of the person, so as not have to ask him to pose during the eighty or more hours required to make the portrait of clay.

Some of the busts made by me were made directly from the live model.

This bust represents Sento Masià, painter and friend of me.

Starting the work 

Drawing to analyze the face

Drawing to analyze the face

Drawing to analyze the face

Continuing with the mud

Advancing with the work

The artist in front of his work

Advancing with the work

Advancing with the work

Starting to analyze facial features

Analyzing the psychology of the person

Finishing the work in mud

Finishing the work in mud

Polishing the mud

Polishing the mud

Preparing to make the mold with plaster

Advancing with the molt

Finishing the mold

The finished and ready-to-fill mold

The filled mold

Starting to break the mold

The broken mold